Cut to a wider reverse-shot, we see the Truck Driver (TD) at his workstation. The aforementioned film mold appears in a triglyph manner in this, the fourth shot. A proscenium arch of curtains, shutters, and glass frames our first hint of the outside world where the action is to take place. TD gazes at the monitor – the world reinterpreted via ones and zeds (“zeros”); and his hand in motion seemingly with a pencil. What is he thinking?